Here’s a short list of links and references which accompanied my lecture at Estelle Barret’s Deakin University “Art Embodiment and Aesthetics” course, 5 Sept 2006.<\/p>\n
Some of them are to do with “pre-cinema” devices and technologies, some are about the development of “vertical integration” in the 1910s and 1920s, and some are more specifically about Expanded Cinema (the 1960s-70s art activities)… By no means an exhaustive list, will add more when I think of em…
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\n[offline]-<\/p>\n
A Short History of the Movies<\/em>, Gerald Mast, Macmillan, New York, 1992.<\/p>\n Michael Quinn, \u00e2\u20ac\u0153Distribution, the Transient Audience, and the Transition to the Feature Film\u00e2\u20ac\u009d, Cinema Journal<\/em>, Vol 40, No 2, (Winter 2001), pp. 35-56<\/p>\n Raymond Fielding, \u00e2\u20ac\u0153Hale\u00e2\u20ac\u2122s Tours: Ultrarealism In the Pre-1910 Motion Picture\u00e2\u20ac\u009d, Cinema Journal<\/em>, Vol 10, No. 1, (Autumn, 1970), pp 34-47<\/p>\n Douglas Gomery, \u00e2\u20ac\u0153The Movies Become Big Business: Publix Theatres and the Chain Store Strategy\u00e2\u20ac\u009d, Cinema Journal<\/em>, Vol 18, No 2, Economic and Technological History. (Spring 1979), pp 26-40.<\/p>\n Margaret Morse, \u00e2\u20ac\u0153Body and Screen\u00e2\u20ac\u009d, Wide Angle<\/em>, Vol 21, No 1, January 1999, pp 63-75<\/p>\n Vanderbeek\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Culture: Intercom\u00e2\u20ac\u009d and Expanded Cinema: A Proposal and Manifesto, The Tulane Drama Review<\/em>, Vol 11, no 1, (Autumn 1966) pp 38-48<\/p>\n Shaw and Weibel, (eds) Future Cinema: The Cinematic Imaginary After Film<\/em>, ZKM, 2003<\/p>\n At a distance : precursors to art and activism on the Internet<\/em>, edited by Annmarie Chandler and Norie Neumark Cambridge, Mass. : MIT Press, 2005<\/p>\n [online]-<\/p>\n Dead Media Archive Exhibit of optical toys: Phantasmagoria Birth of Movies History of American Movie Palace Lucas Ihlein, Pre-digital new media art, Realtime 66 Lucy Reynolds, Filmaktion Malcolm Le Grice, \u00e2\u20ac\u0153real time\/space\u00e2\u20ac\u009d, The Masstransiscope, installed zoetrope Scott Snibbe website Australian tour of Anthony McCall’s \u00e2\u20ac\u0153Line Describing a Cone\u00e2\u20ac\u009d 2005 Arthur and Corinne Cantrill OtherFilm Festival, Brisbane George Khut website Guy Sherwin’s \u00e2\u20ac\u0153Man with Mirror\u00e2\u20ac\u009d, Michael Naimark , \u00e2\u20ac\u0153What’s Wrong with this Picture? Presence and Abstraction in the Age of Cyberspace\u00e2\u20ac\u009d, Valie Export, “Expanded Cinema as Expanded Reality”, Here’s a short list of links and references which accompanied my lecture at Estelle Barret’s Deakin University “Art Embodiment and Aesthetics” course, 5 Sept 2006. Some of them are to do with “pre-cinema” devices and technologies, some are about the development of “vertical integration” in the 1910s and 1920s, and some are more specifically about […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[111,110,112,480],"class_list":["post-16","post","type-post","status-publish","format-standard","hentry","category-expanded-cinema","tag-audience","tag-cinema-industry","tag-embodiment","tag-expanded-cinema"],"_links":{"self":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/posts\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/comments?post=16"}],"version-history":[{"count":0,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/posts\/16\/revisions"}],"wp:attachment":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/media?parent=16"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/categories?post=16"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/tags?post=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nhttp:\/\/www.deadmedia.org<\/p>\n
\nhttp:\/\/courses.ncssm.edu\/gallery\/collections\/toys\/opticaltoys.htm<\/p>\n
\nhttp:\/\/www.grand-illusions.com\/phntsmg.htm<\/p>\n
\nhttp:\/\/history.sandiego.edu\/gen\/filmnotes\/birthmovies.html<\/p>\n
\nhttp:\/\/www.whitenberg.de\/FoxTheatreAtlanta\/Palacehistory.html<\/p>\n
\nhttp:\/\/www.realtimearts.net\/rt66\/ilhein.html<\/p>\n
\nhttp:\/\/www.studycollection.co.uk\/filmaktion<\/p>\n
\nhttp:\/\/www.luxonline.org.uk\/articles\/real_time_space(1).html<\/p>\n
\nhttp:\/\/www.bboptics.com\/masstransiscope.html<\/p>\n
\nhttp:\/\/www.snibbe.com<\/p>\n
\nhttp:\/\/www.squatspace.com\/cone\/<\/p>\n
\nhttp:\/\/www.innersense.com.au\/mif\/cantrill.html<\/p>\n
\nhttp:\/\/otherfilm.org<\/p>\n
\nhttp:\/\/www.georgekhut.com<\/p>\n
\nwww.luxonline.org.uk\/work\/id\/603536\/index.html.<\/p>\n
\nhttp:\/\/www.naimark.net\/writing\/wales.html<\/p>\n
\nhttp:\/\/www.sensesofcinema.com\/contents\/03\/28\/expanded_cinema.html<\/p>\n","protected":false},"excerpt":{"rendered":"