{"id":23,"date":"2006-01-30T10:17:25","date_gmt":"2006-01-30T17:17:25","guid":{"rendered":"https:\/\/lucazoid.com\/bilateral\/abramovics-re-enactments\/"},"modified":"2007-11-26T10:23:54","modified_gmt":"2007-11-26T17:23:54","slug":"abramovics-re-enactments","status":"publish","type":"post","link":"https:\/\/lucazoid.com\/bilateral\/abramovics-re-enactments\/","title":{"rendered":"abramovic&#8217;s re-enactments"},"content":{"rendered":"<p>Thanks to <a href=\"http:\/\/with-out.blogspot.com\/2006\/01\/day-7-handjob-project.html\">Spiros<\/a>, who has boldly been experimenting with the intimacy of performance at Gertrude Street&#8230;<br \/>\nA review of Marina Abramovic&#8217;s 7 easy pieces at the Guggenheim last November. Abramovic re-enacted performances from the 1970s by Vito Acconci, Bruce Nauman, Gina Pane, Valie Export, Joseph Beuys, and herself. <a href=\"http:\/\/www.encyclopedia.com\/doc\/1G1-141095855.html\">This review by Johanna Burton<\/a> captures the difficult territory that this kind of work negotiates &#8211; bringing ephemeral, poorly documented work to solid &#8220;reality&#8221; in the present. Particularly interesting for me was Burton&#8217;s remark about the tendency of the performances to become like 3 dimensional images:<\/p>\n<blockquote><p>the &#8220;reenactments,&#8221; particularly in retrospect, cemented themselves in my mind as sophisticated holograms, both present and past, fact and fiction.<\/p><\/blockquote>\n<p>I find it fascinating that this impulse exists to try and physically grasp what has become iconic and influential in the history of art. <\/p>\n<p>See the entries under the category &#8220;<a href=\"https:\/\/lucazoid.com\/bilateral\/category\/re-enactment\/\">re-enactment<\/a>&#8221; for more on this issue.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to Spiros, who has boldly been experimenting with the intimacy of performance at Gertrude Street&#8230; A review of Marina Abramovic&#8217;s 7 easy pieces at the Guggenheim last November. Abramovic re-enacted performances from the 1970s by Vito Acconci, Bruce Nauman, Gina Pane, Valie Export, Joseph Beuys, and herself. This review by Johanna Burton captures the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,36],"tags":[141,142,482,481],"class_list":["post-23","post","type-post","status-publish","format-standard","hentry","category-performance-art","category-re-enactment","tag-marina-abramovic","tag-new-york","tag-performance-art","tag-re-enactment"],"_links":{"self":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/posts\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":0,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/posts\/23\/revisions"}],"wp:attachment":[{"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/media?parent=23"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/categories?post=23"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lucazoid.com\/bilateral\/wp-json\/wp\/v2\/tags?post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}