Author Archives: Lucas

Getting it straight

water levelling

The two things which have stuck in my mind most since last week’s Permaculture class are: water levelling, and the role of “apertures” in landscape formation.

Sounds heavy, eh! And indeed, gravity does have a role to play in both!

Our practical exercise of the day was A Beginner’s Guide to Surveying. You’ve all seen those TAFE students out in the park with their Hi-Viz vests holding those funny looking devices on tripods? Yep, we got to play with that stuff! (but not the vests).

It was quite fun. There were laser levels, telescopic levels, and – my favourite – water levels.

The water levels (among the most ancient and low-tech of the levelling family) are based on the extraordinary (but perfectly logical) idea that water in a closed system always reaches a level. So if you have a long see-through hose filled with water, you can stretch it out as far as you like, and the top level of the water at both ends will be the same.

The same holds for a hose which is connected to a large water container – as in the demonstration Nick provided in class. He even coloured the water with blue dye to dramatise the effect. Here’s a few more photos of the process.

The main “learning outcome” from all of this watery-levelly business is that no matter how flat a piece of land might look and feel, it’s almost guaranteed that it slopes in one way or another! This comes as quite a surprise: the raw feel and instinct of experience versus the empirical evidence of measurement.

If you’re not careful with your existential stability, it can quite powerfully throw into question the relative up-ness and down-ness of our occupation of the planet. Take for example, this amazing sci-fi picture of a space station Torus thingummy. How would a water level operate, if its length was a significant proportion of this Torus’ curve?

Come to think of it, the Earth is curved! So how can anything be “level” (except relative to the human scale?)

Under the Counter: Interview with Ken Bolton

ken bolton at club foote
[Ken Bolton at Club Foote, year unknown…]

Earlier this year, I came across a very enjoyable interview between Ken Bolton and Robert Cook. I have long enjoyed the writing of both gentlemen: Bolton a poet, publisher and the man behind the counter at Adelaide’s Dark Horsey Bookshop, who had just put out a collection of his writing on art; and Cook, a curator whose essays are always a great pleasure to read.

One of the things I liked about this interview is that the interviewer does not attempt to hide behind a curtain of anonymity, trying to absent himself in order to ‘get to the facts’. Rather, he puts himself in the picture. Both authors are self deprecating, amusing and intelligent.

I approached Cook and Bolton after I saw the interview, and asked if they wouldn’t mind me cross-publishing it here, in the hope that it will have a bonus life, augmenting its tenancy as a PDF on the Broadsheet website. Many thanks to both (the below is a slightly tweaked version of the one published in Broadsheet). Thanks to Peter and Alan over at Broadsheet for permission to cross-publish.

For the record, the bibliographic details for the original interview are:

Robert Cook, “Under the Counter: Interview with Ken Bolton”, in Contemporary Visual Art + Culture Broadsheet, 39.1, 2010.

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Injecting Resin into an Ant Hill

chaos creativity

Last night at yoga, I bumped into Paul, one of the guys in the Sunday Permaculture class.

Paul: “I’m not really sure what I’m learning in that course.”

Me: “That’s a strange thing to say.”

Paul: “Yes, I suppose it is”.

But he’s right. I’m not really sure what I’m learning either.

That’s not to say I’m not learning. In fact – if by “learning” you mean the acquisition of new concepts, I’m brimming over with the pesky buggers. But what a strange breed of concepts these are! To what use can we put ’em?
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To Follow Things as I Encounter Them: Blogging, Art, and Attention

An article I wrote about two blogging projects by Lisa Kelly and Thea Rechner is now online, over here.

Here’s a little snippet from the introduction:

The tiny annotated moments of ephemeral experience are what I want to focus on here. Via a brief exploration of two blog projects by Australian artists, I hope to demonstrate the mutually transformative relationship between the practices of blogging and the quality of our attention.

It’s for a new online journal called 127 Prince – named after the address of the restaurant called FOOD, run by Carol Goodden, Gordon Matta-Clark and friends in 1971. My penpal, Randall Szott, is one of the editors. He invited me to contribute something to this first issue of the journal, which “will present and examine ideas on the art of social practice, and the social practice of art.”

I’d love to hear anyone’s thoughts about the ideas about blogging and attention that I am sloshing around over there. The journal has a comments section for discussion after each article, and the editors are keen for a dialogical process rather than using a top-down “refereed” system of selection and publishing articles.

GET MORE BY DOING LESS

doing less greeting card

At the start of the Permaculture class, Nick asked us to write on a slip of paper what our aspirations were.

I wrote: “GET MORE BY DOING LESS”. (If Lisa reads this, I know she will laugh out loud.)

This year, Lizzie and I made a new years greeting card which said:

“wishing you (and ourselves) the joys of doing a bit less in 2010”.

But so far I’ve been a bit of a failure at this – being so busy that I have not enjoyed the time to stop and reflect and ask whether I’m carrying out my activities in the most intelligent way.
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Trading Intangible Commodities

altruism maslow

The last time I flirted with permaculture (in late 2008), I got very excited about shit.

Having attended Milkwood’s intro to permaculture course, I raved to anyone who would listen, about the idea of recycling the energy which constitutes our own shit, to use it again and again – rather than flushing it away to a non-usable state out in the ocean somewhere.

However – besides an ongoing fascination with my compost heap (a way of recycling the energy in scrap foods and plant residues, but not shit) – my “human shit ambition” has been just sitting there, waiting for something to happen. I haven’t managed to crack how to use it within an urban context (not within the constraints of my rental tenancy situation anyway).
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A Melbourne Engagement

This coming weekend I’ll be in Melbourne for Next Wave Festival. I’m speaking in a forum entitled “Taking it to the Streets” (!).

All the Details are here.

Come along to help me celebrate an early Bob Dylan’s Birthday!

2010 Next Wave Festival Club, 1000 £ Bend, 361
Sunday 23 May, 2pm-3:30pm
Little Lonsdale Street, Melbourne

This forum will explore the potential for publically-sited art to meaningfully engage with social issues beyond the art world. If one accepts that art can and should be marshalled towards social justice, then what are the specific artistic competencies that are best deployed towards these ends? What have been some of the successes and failures of socially and politically charged art in the public realm? And can art enact social change and still be good art?

speakers:

Deborah Kelly (Chair)
George Egerton-Warburton
Lucas Ihlein
Iain McIntyre

Best Job? Boring Blog?

best job in the world
[…screengrab from Sydney Morning Herald, January 4, 2010…]
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…and so it turns out that Ben Southall, who “won” the “best job in the world” (his assignment – to live in the lap of luxury on the islands of Queensland’s Great Barrier Reef while writing a blog about his daily life) had to work a teensy bit harder than he expected.

In this article from the Sydney Morning Herald (via The Telegraph, London) Ben explains how he had to work 19 hour days, in a “gruelling seven-day-a-week grind of promotional events and official gladhanding”. (I love the term “gladhandling”.)
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Brook’s way with kinds, categories and memes

The following is a book review I wrote for Artlink Magazine, Vol 29, No.1, 2009. It’s about Donald Brook’s new book, “The Awful Truth About What Art Is”.

Artlink has published Brook’s book — it’s a print-on-demand number, you can find out more about it, and order it if you wish, here.

And if you every get the chance to meet Donald, as I did a few months ago, do take the opportunity: he’s a national treasure. He writes regularly here. In one of his blog posts, he tries out some of the ideas in his book, to much discussion, consternation and silliness.

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