Category Archives: workplace relations

Catfish in the dam

conventional fish farming energy flows

This week’s Permaculture course theme was Aquaculture. I’m sure, like me, other students were captivated by the possibilities of introducing fishy and watery elements into our design systems, and seeing what you can do with old bathtubs. We were also struck with great fear around the farming methods for Tasmanian salmon.

Often after class I think about how some of the things I’ve learned could be applied to my Dad’s piece of land: a 5 acre block in the Hunter Valley, half “bush” with a small dam, half house site with lawn.

Last night I dreamed I was visiting Dad. He and I were talking about his dam. I was telling him he had to throw a bale of lucerne hay into it as well as some reeds and other pond weed seeds, and put in some yabbies – to try to get it producing some food.

In my waking life, I’m always wary of how much Permaculture propaganda to dump on Dad – I don’t want to overwhelm him with too much “Nick Says This is What You Should Do”; and I’m conscious that Permaculture is still (mis)perceived as quite “herbal” to some old fashioned and highly rational folks.

In my dream, we were walking around his dam, with fishing rods. There were big fish in there, we could see them swimming under the water. We were stunned and delighted. Suddenly we noticed a huge fish embedded in the sand near the dam, slowly breathing, stranded on dry land. We leaned in close to look at it. Dad reached down to pick it up. It made a “meow” sound like a cat. From this we knew it was a catfish, although it looked more like a large barramundi. I warned him to be careful, as catfish have poisonous spines.

Dad laid the catfish on a chopping board and took out a very large sharp knife. He was about to cut into it, but first he decided to feed the catfish some small baitfish that he had there – like whitebait or something. The catfish was still alive and gobbled up the small bait. I felt quite squeamish about this: it felt cruel, like the last meal of a condemned man. I knew that the big fella was soon to be sliced up himself.

And indeed, that’s what Dad did next, sinking the knife into the fat flesh behind the gills. The catfish bled profusely, deep red bloody meat spilling onto the unvarnished wooden porch of his house in the Hunter Valley.

Petersham Tree Audit

olive and mulberry diagram

It seems redundant to say this, but here goes: trees are important. This week’s permaculture class was all about The Glory Of The Tree.

Speaking for myself, as a budding organic vegie enthusiast, up to now I’ve been a bit blase about our woody friends.

I have a couple of lemon trees in the backyard, but I think they’re “rootstock”: very thorny and no fruit. Someone (maybe my fruity friend Rohan) said they need to be grafted with a fruiting stock before they’ll actually make lemons. I considered pulling them out, because I was always getting poked on the butt by the thorns when I leaned over to collect lettuce leaves. But then my flatmate Louise said that I should just be patient and wait, and maybe some grafting guru would come along one day and we’d be able to fruitify them. I obeyed, and I still await the arrival of our citrus knight.
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Artlink Underground

the underground print scan
[The Underground radish – click to see it bigger…]

I guest-edited an edition of Artlink Magazine. You can read more about it here (including a few of the essays which are available there online.

The issue features great essays and artwork, interviews and comics, by and about Ian Milliss, Chris Fleming, Vanessa Berry, Leigh Rigozzi, Pat Grant, Rick Smith, Alison Bechdel, Margie Borschke, Ianto Ware, Geert Lovinck, Shane McGrath, Breakdown Press + Ian McIntyre, Glenn Barkley, Jessie Lymn, Danni Zuvela, Teri Hoskin, Ali Russell, Tony Birch, Caren Florance, Peter Drew, Melinda Rackham, Kirsten Bradley, Eve Vincent, and Donald Brook.

The issue will have a launch celebration on Sunday 4 July, 2010, at Bill and George in Redfern, Sydney.
Free, all welcome! Magazine available at a discount price!

3pm, Bill and George, 10-16 William St, Redfern, Sydney.

At the same time, Bill and George will also be launching their LIBRARIUM project, “a slow-growth free-range artisan’s library of small press publications etc”.

All the details about the launch are here and here.

PLUS! Hot off the Big Fag Press, I’ll be launching a limited edition print of the above image, which is used as the cover to this edition of Artlink.

Get ’em while they’re hot!

PLUS!! News just in:
This edition of Artlink will be launched by septuagenarian Newtown artist David Urqhuart !

David Urquhart was born in Kings Cross, Sydney, grew up in Homebush with the smells of the cattle yards a daily delight. He went to school, but was not educated, at Catholic schools.

David began his respectable working life in the rag trade, including selling bras and girdles for The Jenyns Patent Corset Company.

As was fashionable in 1968 he turned his back on his wicked capitalist ways and ‘dropped out’ and joined the marginal people.

As a graduate of Sydney College of the Arts, David imagines himself to be an artist.

David will ruminate briefly about the multiplicity of “undergrounds” he’s experienced over the years, before raising a glass to toast this new edition of Artlink Magazine !

– – –

[Here you can see a photo of David fighting homophobia, with the help of the Roads and Traffic Authority. ]

Getting it straight

water levelling

The two things which have stuck in my mind most since last week’s Permaculture class are: water levelling, and the role of “apertures” in landscape formation.

Sounds heavy, eh! And indeed, gravity does have a role to play in both!

Our practical exercise of the day was A Beginner’s Guide to Surveying. You’ve all seen those TAFE students out in the park with their Hi-Viz vests holding those funny looking devices on tripods? Yep, we got to play with that stuff! (but not the vests).

It was quite fun. There were laser levels, telescopic levels, and – my favourite – water levels.

The water levels (among the most ancient and low-tech of the levelling family) are based on the extraordinary (but perfectly logical) idea that water in a closed system always reaches a level. So if you have a long see-through hose filled with water, you can stretch it out as far as you like, and the top level of the water at both ends will be the same.

The same holds for a hose which is connected to a large water container – as in the demonstration Nick provided in class. He even coloured the water with blue dye to dramatise the effect. Here’s a few more photos of the process.

The main “learning outcome” from all of this watery-levelly business is that no matter how flat a piece of land might look and feel, it’s almost guaranteed that it slopes in one way or another! This comes as quite a surprise: the raw feel and instinct of experience versus the empirical evidence of measurement.

If you’re not careful with your existential stability, it can quite powerfully throw into question the relative up-ness and down-ness of our occupation of the planet. Take for example, this amazing sci-fi picture of a space station Torus thingummy. How would a water level operate, if its length was a significant proportion of this Torus’ curve?

Come to think of it, the Earth is curved! So how can anything be “level” (except relative to the human scale?)

Under the Counter: Interview with Ken Bolton

ken bolton at club foote
[Ken Bolton at Club Foote, year unknown…]

Earlier this year, I came across a very enjoyable interview between Ken Bolton and Robert Cook. I have long enjoyed the writing of both gentlemen: Bolton a poet, publisher and the man behind the counter at Adelaide’s Dark Horsey Bookshop, who had just put out a collection of his writing on art; and Cook, a curator whose essays are always a great pleasure to read.

One of the things I liked about this interview is that the interviewer does not attempt to hide behind a curtain of anonymity, trying to absent himself in order to ‘get to the facts’. Rather, he puts himself in the picture. Both authors are self deprecating, amusing and intelligent.

I approached Cook and Bolton after I saw the interview, and asked if they wouldn’t mind me cross-publishing it here, in the hope that it will have a bonus life, augmenting its tenancy as a PDF on the Broadsheet website. Many thanks to both (the below is a slightly tweaked version of the one published in Broadsheet). Thanks to Peter and Alan over at Broadsheet for permission to cross-publish.

For the record, the bibliographic details for the original interview are:

Robert Cook, “Under the Counter: Interview with Ken Bolton”, in Contemporary Visual Art + Culture Broadsheet, 39.1, 2010.

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Injecting Resin into an Ant Hill

chaos creativity

Last night at yoga, I bumped into Paul, one of the guys in the Sunday Permaculture class.

Paul: “I’m not really sure what I’m learning in that course.”

Me: “That’s a strange thing to say.”

Paul: “Yes, I suppose it is”.

But he’s right. I’m not really sure what I’m learning either.

That’s not to say I’m not learning. In fact – if by “learning” you mean the acquisition of new concepts, I’m brimming over with the pesky buggers. But what a strange breed of concepts these are! To what use can we put ’em?
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To Follow Things as I Encounter Them: Blogging, Art, and Attention

An article I wrote about two blogging projects by Lisa Kelly and Thea Rechner is now online, over here.

Here’s a little snippet from the introduction:

The tiny annotated moments of ephemeral experience are what I want to focus on here. Via a brief exploration of two blog projects by Australian artists, I hope to demonstrate the mutually transformative relationship between the practices of blogging and the quality of our attention.

It’s for a new online journal called 127 Prince – named after the address of the restaurant called FOOD, run by Carol Goodden, Gordon Matta-Clark and friends in 1971. My penpal, Randall Szott, is one of the editors. He invited me to contribute something to this first issue of the journal, which “will present and examine ideas on the art of social practice, and the social practice of art.”

I’d love to hear anyone’s thoughts about the ideas about blogging and attention that I am sloshing around over there. The journal has a comments section for discussion after each article, and the editors are keen for a dialogical process rather than using a top-down “refereed” system of selection and publishing articles.

GET MORE BY DOING LESS

doing less greeting card

At the start of the Permaculture class, Nick asked us to write on a slip of paper what our aspirations were.

I wrote: “GET MORE BY DOING LESS”. (If Lisa reads this, I know she will laugh out loud.)

This year, Lizzie and I made a new years greeting card which said:

“wishing you (and ourselves) the joys of doing a bit less in 2010”.

But so far I’ve been a bit of a failure at this – being so busy that I have not enjoyed the time to stop and reflect and ask whether I’m carrying out my activities in the most intelligent way.
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Trading Intangible Commodities

altruism maslow

The last time I flirted with permaculture (in late 2008), I got very excited about shit.

Having attended Milkwood’s intro to permaculture course, I raved to anyone who would listen, about the idea of recycling the energy which constitutes our own shit, to use it again and again – rather than flushing it away to a non-usable state out in the ocean somewhere.

However – besides an ongoing fascination with my compost heap (a way of recycling the energy in scrap foods and plant residues, but not shit) – my “human shit ambition” has been just sitting there, waiting for something to happen. I haven’t managed to crack how to use it within an urban context (not within the constraints of my rental tenancy situation anyway).
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A Melbourne Engagement

This coming weekend I’ll be in Melbourne for Next Wave Festival. I’m speaking in a forum entitled “Taking it to the Streets” (!).

All the Details are here.

Come along to help me celebrate an early Bob Dylan’s Birthday!

2010 Next Wave Festival Club, 1000 £ Bend, 361
Sunday 23 May, 2pm-3:30pm
Little Lonsdale Street, Melbourne

This forum will explore the potential for publically-sited art to meaningfully engage with social issues beyond the art world. If one accepts that art can and should be marshalled towards social justice, then what are the specific artistic competencies that are best deployed towards these ends? What have been some of the successes and failures of socially and politically charged art in the public realm? And can art enact social change and still be good art?

speakers:

Deborah Kelly (Chair)
George Egerton-Warburton
Lucas Ihlein
Iain McIntyre